Saturday, June 03, 2006

It's no Surprise...

I’ve been thinking about conspiracies.

Okay, here’s the thing: the secret’s out. Aliens crashed at Roswell, and the government has been working with the remains, or the survivors, or human-dog-fishbaby hybrids ever since. To make stealth bombers and particle cannons for use in Iraq, or somesuch thing. Everyone knows it, right? Or at least, everyone knows that it either did happen like that, or else if it didn’t a lot of people have got a lot of mileage from circulating the rumour. But by now, we’ve ALL heard the rumour, so if WE have, then so have our characters.
And Jesus married Mary Magdalene and they had a baby while touring England. The Catholic Church has secret Vatican Documents™ that trace the lineage throughout two thousand years of Templar and Freemason/Illuminati plotting and scheming. They’ve used gold from Solomon’s Temple to manipulate historical figures like puppets on a string. Da Vinci knew about it. He was the secret head of the Society of Left-handed Mirror-Writing Gnostics, and he used medieval alien-wreckage to build the first pedal-powered wooden stealth bomber to put the serious frighteners on Templar head-worshipping goat-fornicating heretics hiding out in an Ethiopian citadel built on the ruins of Black Jerusalem. Or was it a Merovingian citadel in Turin? Anyway, he told Michelangelo about it through the use of cryptic gene-ciphers tattooed on a young paintgrinder’s glans.
Surprised? Of course not. Everyone knows about it. Same as everyone knows that the Anti-Christ is going to be born (or has been born) with a curious mole-pattern shaped like 666 somewhere on his (or her) body. Except it isn’t curious, is it? Because everyone knows about it.
You can’t write horror or SF where the kicker hangs on the revelation of a conspiracy anymore, because we’re all overdone. X-Files saw to it. The Omen saw to it too, and so (now) has The Da Vinci Code. If a story hangs off a big ‘revelation’, chances are readers will have difficulty suspending belief. But not suspending belief in the revelation, but rather suspending belief that a character hasn’t already heard of something like that… er…already.
Which sucks, really, because if you can’t have a character act surprised when they are confronted with the revelation that vampires actually exist, or ghosts, or aliens or whatnot – one of the writer’s tools is taken from the tool-chest. If you do it, you’re just asking more suspension of disbelief(SOD) from your reader than you actually need. The best genre stories should ask no more SOD from the reader than they absolutely require.
We writers all just have to work a little harder and hang our stories off something other than the BIG REVELATION.
I hate those X-File wankers. They all need a damn good flogging with an Opus Dei monk-flail.


Blogger Seven Star Hand said...

Hello Bryn and all,

Most have totally missed the point that the Gnostic texts and others are making. First, they refer to symbolic males and females, hence the philosophical masculine and feminine nature and character. All the Gnostic texts are philosophical and symbolic treatises, not literal narratives. When you try to interpret any of these ancient texts (including the Bible) as literal, you will always come to the wrong conclusions.

Read verse twelve of the Gospel of Thomas to understand who I am...

You may not initially agree with everything I reveal, but be a little patient with my long-winded presentation of what I have waited a very long time to be able to say. I promise to amaze and enlighten.

Contrary to those who strive to assert that the DaVinci Code created the term, symbology is an ancient philosophical technology and I am a real life symbologist. Likewise, the upper-level members of secret societies such as Freemasons, Rosicrucians, Illumanti, and the Vatican are symbologists. Keeping their "craft" secretive and misunderstood is a purposeful ploy designed to hide the truth about ancient wisdom and the symbology used to model, encapsulate, and encode it. The title "mason" is itself a symbolic allusion to those who work with the "Philosophers' Stone" which is the symbolic name given to an ancient body of symbology, hence "Masons" are workers of "stone."

Read Proverbs 9:1 below to better understand this allusion.

Wisdom has built Her house. She has carved out Her seven pillars.

Notice that "wisdom" is referred to as "Her" and "She", as in Sophia and Miriam (the Magdala), and that "She" has "hewn" "Her" "seven pillars" (of stone)? Read my Home Page to see what those seven pillars of "stone" have always referred to, contrary to what religions and mysticism have said for millennia.


Here is the key to understanding what the Vatican and Papacy truly fear...

Pay close attention, profundity knocks at the door, listen for the key. Be Aware! Scoffing causes blindness...

Here's a real hot potato! Eat it up, digest it, and then feed it's bones to the hungry...

There's much more to the story of the Vatican's recent machinations than meets the eye. It's not the DaVinci Code or Gospel of Judas per se, but the fact that people have now been motivated to seek out the unequivocal truth about an age of deception, exactly when they expect me to appear. These recent controversies are spurring people to reevaluate the Vatican/Papacy and the religions that Rome spawned, at the worst possible time for them.

Remember, "I come as a thief..." ?

The DaVinci Code novel and movie are no more inaccurate as literal versions of history than the New Testament. The primary sub-plot involved purposeful symbology being used to encode hidden meanings, exactly like the Bible and related texts. In other words, none of these stories represent the literal truth. This is the common and pivotal fact of all such narratives about ancient Hebrew and Christian history. Debating whether the DaVinci Code, Gnostic texts, or the Bible are accurate history is a purposeful ploy designed to hide the truth by directing your inquiry away from the heart of the matter.

There is a foolproof way to verify the truth and expose centuries-old religious deceptions. It also proves why we can no longer let the Vatican tell us what to think about ancient history or much else. It is the common thread connecting why the ancient Hebrews, Yahad/Essene, Jews, Gnostics, Cathars, Templars, Dead Sea Scrolls, DaVinci Code, and others have been targets of Rome’s ire and evil machinations. The Vatican and its secret society cohorts don’t want you to understand that the ancient Hebrew symbology in all of these texts purposely encodes and exposes the truth about them. Furthermore, the structure of ancient wisdom symbology verifiably encodes the rules to decode messages built with it. This is what they most fear you will discover.

If the Bible represented the literal truth or even accurate history, there would be no need for faith in the assertions of deceptive and duplicitous clergy and their ilk. It is undeniable the New Testament is awash with ancient Hebrew symbolism and allegory. The same is evidenced in the Old Testament, Dead Sea Scrolls, Gnostic texts, biblical apocrypha, Quran, DaVinci Code, and other related sources. All ancient religious, mystical, and wisdom texts have been shrouded in mystery for millennia for one primary reason: The ability to understand their widely evidenced symbology was lost in antiquity. How do we finally solve these ages-old mysteries? To recast an often-used political adage: It’s [the] symbology, stupid!

It is beyond amazing that the Vatican still tries to insist the Gospels are the literal truth. Every miracle purported for Jesus has multiple direct symbolic parallels in the Old Testament, Apocalypse, Dead Sea Scrolls, and other symbolic narratives and traditions. Recasting the symbolism of earlier Hebrew texts as literal events in the New Testament is one of the central deceptions associated with Christianity. This is part of the secret knowledge held by the ancient Gnostics, Templars, Cathars, and others, which is presented with dramatic effect in the DaVinci Code. None of these narratives or stories were ever intended as the literal truth. This fact is the key to unraveling many ages-old mysteries and exposing the truth about the Vatican's long-term deceptions.

Moreover, the following Washington Post article (The Book of Bart) describes how many changes and embellishments were made to New Testament texts over the centuries, unequivocally demonstrating they are not original, infallible, or truthful. When you combine proof that the New Testament Gospels are not wholly literal with proof that these texts were heavily reworked in the early years of Christianity, you are left with only one possible conclusion. The Vatican has long lied to everyone about the central tenets and history of Christianity. This revelation also proves they are not the Creator’s representatives but Her long-time opponents. The recent hoopla over the Gospel of Judas and DaVinci Code demonstrates they are still desperately trying to deceive the world and obfuscate their true nature and activities.

It's no wonder the Vatican fears the truth more than anything else. As further proof of these assertions, seek to understand the symbolic significance of my name (Seven Star Hand) and you will have proof beyond disproof that Jews, Christians, and Muslims have long been duped by the great deceivers I warned humanity about over the millennia. What then is the purpose of "faith" but to keep good people from seeking to understand the truth?

Now comes justice, hot on its heels... (symbolism...)

Not only do I talk the talk, I walk the walk...
Here is Wisdom!!

Revelations from the Apocalypse

11:13 AM  
Blogger Brian G Ross said...

Never saw a complete episode of X-Files in my life. My bad or the rest of the world's? Not sure...

...but I know what you mean about the big conspiracy theories. The media loves them and will continue to dine on them until someone hold up a hand and says, wait a minute folks, none of this surprises us anymore...

One helluva long comment. Wow!

4:34 AM  
Blogger MusaBenedetta said...

I didn't know how else to contact you, but is this you? This person says her name is Hanna, a female from the UK, but the link in her journal, which she claims links to 'her books' led me to your blog. I'm thoroughly confused

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